Nakedfish Inc. operates in that liminal space where design dissolves into something more essential—call it recognition, call it witness, call it the patient act of paying attention until the world stops pretending to be ordinary.
Seeing differently — stripping away the unnecessary to reveal the honest lines of the world around us highlighting the quiet drama of light. Our mission is to reveal the raw beauty of form, light, and texture—celebrating architecture in its purest expression.
I’m an old guy, sure—but one with a restless curiosity and a camera always within reach. What I’m really after isn’t just the image itself, but the angle the world forgot to notice—the quiet poetry hiding in plain sight. It’s less about showing off what I see, and more about reminding you there’s still another way to look.
I’ve been around the block enough times to know that the world reveals itself differently depending on where you’re standing—or maybe, more importantly, where you’re willing to look. What drives me, what gets me out of bed and into the car and down streets I’ve never travelled, is this fundamental belief that there’s always another angle, another way of seeing the same tired corner of the universe that everyone else walks past without a second glance. The official narrative, the consensus view, the way things have always been seen—that’s never been enough for me. I want to tilt the camera, change the light, get low to the ground or climb up high, whatever it takes to show you that the familiar is strange and the overlooked is essential. It’s not about being contrary for its own sake. It’s about the conviction that truth lives in the margins, in the perspectives that don’t make it onto the billboard or the evening news. And yeah, I’m getting up there in years, but that means I’ve had more time to understand how desperately we need to keep seeing things anew.